Video:
Video:
Between 2017 and 2023, I programmed concerts, events, and other listening-related activities at the Museo Reina Sofía. This job involves research and writing. What did I set out to do? To review some well-known figures in the context of Western “experimental” music from a critical research perspective, and to pay particular attention to other matters that challenge our certainties about what constitutes rhythm, danceability, tradition and modernity. Faced with all the contradictions, I clung to my belief in the public function of institutions, in the dissemination of knowledge to encourage healthy curiosity and joyful learning.
(16-17/06/2023) Archipelago 2023. El Hierro Will Once Again Be the Centre of the World
(13/05/2023) ¡Omona!. K-pop Choreographies
(13/04-25/05/2023) When Destiny Catches Up with Us
Desperate Actions Before the Sixth Extinction
(18/06/2022) Archipelago 2022. The Material Conditions of Our Music
(03/06/2022) Los Voluble. ’92 Ends it All
(20/05/2022 Algorithms. Around Iannis Xenakis
(10/12/2021) Archipelago 2021
(11/09/2021) Electrodomésticas. The Domesticity of Multiple Sound Agents
(17/04/2021) Oscar Martín. Meta Music Machines
(19/02/2021) Javier Díez Ena. Theremonial
(07/11/2020) Pablo Sanz. Entangled
(18-19/09/2020) Archipelago 2020
(11/09/2020) Llorenç Barber. Flying Music
(18-21/09/2019) Archipelago 2019
(21/09/2019) Udlot Udlot José Maceda
(15/06/2019) La Parcería.1969
(24/05/2019) Tomoko Sauvage. Hydromancy
(10/05/2019) Thomas Ankersmit. Perceptual Geography
(07/03/2019) Sarah Davachi. Gave in Rest
(15/02/2019) EVOL. Hanne Darboven’s Opus17aSlimeVariations
(21-22/09/2018) Archipelago 2018
(27/10/2018) MadGamelan
(18/05/2018) Christine Abdelnour
(16-23-30/09/2017) Archipiélago 2017
